Love Crimes – Kevin Reid's Androgny
At primary school, confession, or, in Catholic parlance, the sacrament of reconciliation, was little more than our means to obtain …
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Bullet the Blue Sky – Carolyn Forché’s ‘What You Have Heard Is True’ and ‘The Country Between Us’
When exploring a vocation to the priesthood in my early twenties, the Society of Jesus was of great personal interest. …
Rebecca Tamás – Witch
On Friday the 21st August, 1829, The Times reported on the case of Jean Sabathé. His child was gravely ill. …
Great balls of fire – Keith Chandler’s The Goldsmith’s Apprentice
Sadly, the lube applied to my intimate area was not recreational but medical. Following numbness, blood, a phone call, I …
Piercing the Veil: Fiona Moore’s The Distal Point
The Scottish National Portrait Gallery was just a refuge from the pipers and Fringe flyers on Princes Street, so I …
Kevin Reid’s Burdlife
Its high pitch and speed makes birdsong feel utterly alien. However, Marcus Coates’s stunning installation, ‘Dawn Chorus‘, closes that distance. …
Let’s talk about sex, baby – Jennifer Copley’s Some Couples
Suede’s debut single, ‘The Drowners’, enacts a war between Butler’s masculine, strident rhythm guitar and the androgyny of Anderson’s lyrics …
Timewatching – Luke Wright’s The Toll
My father’s watch clasps my wrist now. Big shoes to fill, his shoes. The removal of three links slimmed it …
Back to Black -Charlotte Gann’s Noir
Setting the tropes of film noir aside for a moment, Raymond Chandler’s iconic sleuth, Philip Marlowe, feels more like Eliot’s Tiresias: …
Knives out – Matthew Stewart’s The Knives of Villalejo
Our Gothic dopplegängers suppress our unease. Conveniently externalised, Mr Hyde and Victor’s creature stalk the margins. We reassure ourselves that the …
Poor Rude Lines 